(Not Quite)


Froggy Bottom Pub&Café

A Quiet Morning for the Silent Types

Marcel Marceau as photographed by Lessing

Louise Brooks

There’s A Kind Of Hush All Over The World Tonight

A Tribute to the Silent Greats

Good Morning Amphibians and Troglydytes
Good Morning Subterraneans
Good Morning Dark ShadowPlayers
Good Morning Silent Types

Froggy Bottom Pub&Cafe

A Quiet Morning For The Silent Types
Open Bar For The Open Minded
Our Patrons This Morning:
Marcel Marceau & Louise Brooks

Please recommend to anyone you know and especially to everyone you don’t.  We’re kind to strangers.
May the 4’s be with you

A Few Things You May Not Have Known About Marcel Marceau

When Marceau was 15, his life unraveled. On the day France entered World War II, his family was given two hours to pack. Marceau and his older brother, Alain, fled to temporary safety in Limoges. Alain became a leader of the local French underground, and young Marcel joined in.

To hide their Jewish origins, the brothers changed their family name to the solidly patriotic Marceau, a famous general in the French Revolution.

Marceau’s wartime activities presaged his later artistic role as illusionist. Using red crayons and black ink, he altered the ages of French youths’ identity cards, proving them too young to be sent to labor camps.

And later, masquerading as a Boy Scout director leading campers on a hike in the Alps, he saved hundreds of Jewish children’s lives by smuggling them into Switzerland in a theater caravan. No surprise, then, that his most affecting works — notably “The Trial,” “The Cage” and “Bip Remembers,” which recounts Marceau’s own wartime experiences — are highly political.

In 1944, Marceau’s father was captured and deported to Auschwitz, where he died. His mother headed to Perigueux, in the south of France, with the two brothers, but when the situation became too dangerous, Alain and Marcel fled to Paris.

Despite the desperate times, Marceau continued entertaining fantasies of a future in the theater. “I wanted to be a speaking actor,” he insists, though most of his theatrical inspirations were silent screen stars: Chaplin, Buster Keaton, Harry Langdon, Stan Laurel, Oliver Hardy and the Marx Brothers.

Tonight, in the spirit of reconciliation, we welcome back Yvonne.
If there’s anything you want, just ask her… she’s easy.

If you can’t find what you’re looking for, just ask Yvonne.  
And if you can’t find Yvonne, join the crowd.

The Coffee’s On, and the Some of the Headlines are Good!

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