Tap – Tap – Tap Is this mike turned on? Fwooof (blowing into mike)
Hi, welcome to our first Froggy Bottom Lounge Friday Night Jazz Jam!
In the true spirit of jazz, you never know what’s going to happen or where we’re going to end up, until people show up and start playin’…
What’s that? Some of you think you don’t like jazz? Or think you don’t know enough about jazz and so are a bit timid? No need to be! Come on in, sit down a spell, and let the music wash over you. Jazz is the musical embodiment of freedom and life itself – that’s why there’s no better kind of music for BMT froggies on a Friday night.
Sound kinda self-important for the music? I’m not the first person to think this:
“Put it this way: Jazz is a good barometer of freedom… In its beginnings, the United States of America spawned certain ideals of freedom and independence through which, eventually, jazz was evolved, and the music is so free that man people say it is the only unhampered, unhindered expression of complete freedom yet produced in this country.” – Duke Ellington
“As long as there is democracy, there will be people wanting to play jazz because nothing else will ever so perfectly capture the democratic process in sound. Jazz means working things out musically with other people. You have to listen to other musicians and play with them even if you don’t agree with what they’re playing. It teaches you the very opposite of racism and anti-Semitism. It teaches you that the world is big enough to accommodate us all.” – Wynton Marsalis
More below the fold…
BTW, I found those quotes here, to give credit where credit is due.
Still not convinced? Then go to your local public library and check out some jazz CDs, tapes, or albums (does anyone still play albums? The library seems to think so). We’ll be happy to make recommendations to you. In fact, one of the things I hope to see here each week is folks turnin’ each other on to great music. We all need something to soothe our souls to get us through the next few years…
You live in rural Idaho and your library has no jazz? Well, after you tell them to get with the program, use Google to find free jazz you can download! I’m not talking about pirating here, I’m talking about little-known artists who are posting samples of their music on-line in the hopes of getting publicity for their group. I did this a couple of summers ago when I lost my job and couldn’t afford to buy CDs for awhile, and ended up with 18 CDs worth of “various artists” music.
Are they all Miles Davis or Duke Ellington? Of course not, but all bloggers aren’t Susanhu, either. Doesn’t mean that someone else might not be worth listening to – and have something unique to say.
Do you know of a group that has something good on line worth listening to? Post the link here so the rest of us and enjoy it, too. Maybe even result in some sales for that struggling artist you’ve enjoyed.
I Googled “free jazz mp3” this morning and got 2,050,000 hits. So there seems to be a lotta good music out there for us to go through, even allowing that 95% of those sites may be duds.
Here are some free samples for you to try out, in the spirit of our hosts and hostesses at the wonderful Froggy Bottom Café (Cheers and Applause). If you find something you like, report back to us next week so we can check it out too!
Then there are the 95 cent bins at your local CD store, or search on eBay for “jazz cent CD” to find jazz CDs you can bid on starting at one cent. Will every CD you find this way thrill you? No, but again, once you learn a little you will find what to look for, and your odds of finding something enjoyable go up.
Using myself as an example, I especially like smaller ensembles – trios through septets – and so I watch for those words. I also especially like jazz from the mid-fifties through the early `70’s, or modern groups continuing in that style.
If you’re new to jazz, experiment: try something labeled “Dixieland,” something “big band,” something “bebop,” something “bossa nova,” something “fusion.” Somewhere along that spectrum you’ll likely find a sound that speaks to you. And I haven’t even touched on vocal jazz; I’ll leave that for someone who is more “into” that…
Jazz has as much variety as classical music – someone who likes Bach might not like a Verdi opera, for example, and the experience of the music of Vivaldi, Beethoven, and Grieg are all very different things.
As you find music you like, make a mental note of the artists. Jazz is very democratic in that often the names of all the musicians are listed on the paperwork, so if you especially enjoyed the pianist in a group, you can look for additional CDs on which she appears. In fact, personally, I take it as a yellow-light warning if all the artists are not listed – I take that as kind of a violation of the spirit of the music. You’ll find yourself exploring a web of music, enjoying more and learning more as you go, as jazz artists very frequently appear on each other’s CDs.
For those of you that are old timers, please add to the conversation here – what advice do you have for those who haven’t had your experiences? Also, how did you come to find out about jazz? Do you play? Do you have a link to your group I can have? LOL
What are you listening to these days? Any new finds you want to share with us? This diary, like jazz, only works as a collaborative effort – so join in!
OK, to answer some of my own questions:
How I came to find out about jazz:
You’ll find this a hoot: Growing up, my mother played lots of music, but we had not a lot of money, so she played the same records of Frank Sinatra and Herb Alpert and the Tijuana Brass over and over again. Her only sister, who was better off and lived in the NJ suburbs (as opposed to our rowhouse in Philly) used to play bossa nova records when we’d go over for a cookout on a Sunday, being the “sophisticated suburban hostess of the sixties” (Anybody want fondue?). To this day, I have this mental association of bossa nova with having “made it” in the world.
As I got older I listened to rock, and found that I especially enjoyed the loooong songs where the musicians would improvise in the middle – whether it was the Doors, Santana, or Bruce Springsteen’s sax player, Clarence Clemmons. So I was primed for jazz. At some point I ran across some jazz, like “Take Five,” and some Grover Washington, that became known outside of jazz circles. The public radio station at Temple U in Philly also played jazz, and opened me to that world, as did people I knew in college.
By the time I was in grad school I was still listening to rock, but shifting over to jazz; the transition to jazz was pretty well complete by the time my kids were born a few years later. We were living in Kansas City by then, which is a great jazz city. There were three or four different colleges with public radio stations within reception range, and they all ran their jazz programs at different times, so by switching from KU (Lawrence, KS) to UMKC to CMSU (Warrensburg, MO) to somewhere – Sedalia, MO? – you could have jazz all day and night, interrupted only by meals and NPR news. When I left Kansas City it was harder to leave my jazz world than it was to leave my in-laws! LOL Now I have about 650 jazz CDs, plus vinyl: “Hi, my name is Al and I have a jazz addiction problem.” “Hi, Al!”
So what am I listening to right now? Here’s two (Courtesy of the Knox County Public Library):
Kenny Werner Trio (A Delicate Balance)
Kenny Werner (Piano) / Dave Holland (Bass) / Jack DeJohnette (Drums)
Recorded June 15-17, 1999
You can hear samples on Amazon here.
All three musicians in this trio are experienced craftsman, and this album is well worth a listen if you’re into the piano trio jazz format.
The Modern Jazz Quartet plays No Sun in Venice
John Lewis (Piano) / Milt Jackson (Vibes) / Percy Heath (Bass) / Connie Kay (Drums)
Recorded April 4, 1957
You can listen to Amazon samples here.
I had this CD on vinyl for several years, and tried using one of the commercial software packages to transfer it to CD with mixed results. The album had a scratch and the software’s scratch removal routine left something to be desired, so I went through and manually removed each click by looking at the waveform of the sound and editing out a tiny fraction of a second – every 2 seconds or so – for like 10 minutes. That’s 300 clicks. Needless to say, I got familiar with this work, playing it over and over again during editing.
Now it’s out on CD. Go get it. No Rice Crispies in the background, just that classic cool jazz sound of the mid-`50’s that made the MJQ famous. Cool, clean, clear like a mountain stream – you can see why some consider this America’s classical music. No better way to beat the summer heat than with Milt Jackson on the vibraphone…
were Charlie Parker, and Dave Brubeck.s “Jazz, red hot and
blue”
Boyfriends said, but you must love Elvis. No, I like jazz.
Then I met a guy who was a jazz pianist in his spare time.
He played me the old favourites, like ‘Little White Lies’
and ‘They Can’t Take That Away from Me.’
I’ve lost touch. What is ‘red hot and blue’ these daze?
My first ‘record album’ of jazz was also Dave Brubeck, in 1977 (the year I graduated high school). I just went to dig it up to check the name – it was “25th Anniversary Reunion,” recorded in 1976.
You’ve got to admire the staying power of some of these musicians – they stay active and creative until they have to pry their instruments from their cold, dead fingers. Unfortunately, for a lot of them it’s because they have to; they need the money. Ellis Marsalis (who hopefully didn’t need the money) performed here in Knoxville in 2004, only a few months before he died – at 96!
I saw Ellis and Branford performing together at UNO back in 1997 or so….after the show I immediately went out and bought Thelonious Monk CDs…the historical connection again…
Also, the Jazz series on PBS deserves mention, especially the section on Bird, Dizzy and Bebop, when a few radicals changed the direction of musical history.
The simultaneous self destruction of Bird’s life as he almost singlehandedly destroyed jazz as a pop idiom makes for an interesting historical narrative.
The nervous breakdown of post war American pop culture laid bare.
Without Bird there would be no Kerouac, Ginsberg, et al. An entire wing of Modern American Literature resides underneath Charlie Parker on the 20th Century Org chart.
had the pleasure of seeing and listening too.
I saw Barney Kessel in San Diego several times over the years 1989 through 1991. He played in the few places that still offered live jazz in San Diego, with a revolving reportoire of artists coming through the doors. I saw him play in a Hotel lounge in La Jolla just weeks before he suffered a stroke that would prevent him from playing his beloved guitar.
I was saddened to learn that Barney passed away in 2004.
Here is a link to one of the greatest jazz guitarist I have ever heard.
Barney Kessel
gw,
Agreed! How cool that you heard him play. Similarly, I treasure the chance I had to hear Roy Buchanan play a few years before his death.
(Other notable Oklahoma guitarists include Charlie Christian and Michael Hedges. And Woody Guthrie…)
Some jazz is transcendental… and some makes me want to plunge rusty skewers into my ears. I’m very far from being an expert, there’s so much I’ve never heard but suspect I’d like, e.g. Eric Dolphy, Cecil Taylor. I tend to like it experimental.
Of course, what Kessel and Django and the Duke and others were doing way back when, was experimental, and you can tell, there’s a certain energy when you’re breaking new ground. Much in the same way, early music trailblazers like Palestrina, Josquin, Praetorious and Dowland have a dangerous quality that is absent from later efforts to emulate those styles.
But I’ve driven more than one person out of the room with Anthony Braxton or Peter Brotzmann. And when will someone ever put Don Ellis “Live at the Fillmore” on CD??
Oddly, for all my love of so many kinds of vocal music, jazz vocals generally make me reach for the skewers. I’ve never figured out why that is. But give me Bjork and Robert Plant over Ella and Frank any day…
Wes Montgomery is another good one…
When I lived in KC the big name guitarist was Pat Metheny, as he was a local boy, from suburban Lee’s Summit, MO. He’s got both electric and acoustic albums out. While I like his CDs with larger groups just fine, I have a special place in my heart for the quieter acoustic albums, like “Beyond the Missouri Sky” (1996)- duets with bassist Charlie Haden, or the solo acoustic guitar on “One Quiet Night,” recorded in November 2001; quiet and reflective after 9/11. Great stuff to put on for a cold winter’s night while you curl up in a chair with a good book…
Metheny does have some excellent tunes for sure..and as you said, relax while listening.
I just put “Poll Winners” on my Amazon.ca wish list.
Is that a good choice, Ghostdancer?
is an exceptional guitarist, who plays an eclectic brand of Jazz. I suggest you try one of the links that are provided above and check to see if he has any music there.
I like that he plays softly, quickly and smoothly.
I like flamenco music, spanish guitar and Barney has played some of it in the performances that I saw him in, during his later years in San Diego.
I just love jazz and I see so many names that did not make the billboard charts but were exceptional artists in their own right.
a friend of mine has a mixed artists CD with Kessel on several cuts, it’s great, and your absolutely correct on the smoothness…outstanding.
I’m gonna swap some tunes with him, and burn a CD of it.
I checked the link and played a few short samples.
No samples from “Poll Winner” maybe because it got
such good reviews, didn’t need any.
For actual buying:
I stick with amazon.ca because it gives the price in
Canadian funds and free delivery if over $39.CDN
IF I was forced to pick only one style of music… and I hate to put anything in a “box with a label” I’d have to go with hard rocking, raunchy, down and dirty BLUES. The kind that you can sing to even if you’ve never heard the song before. And… the blues are not depressing as some think.
But… all music melts into another. Like colors on a canvass. It knows no real borders. So since I love music… why yes… I like Jazz, too. (I just don’t care for country/western (we’ve got both kinds) and rap.) I just don’t care for it. Tried it… several times.. and nopers.
Mmmmmmmmm but looky here. I’ve gots’ some Thelonious Monk riiiiiiiiiight here. š Pound those black and whites, Monk! š
Janet, we meet again! Monk, Coltrane, Parker, “these are a few of my favorite things”…
Why they, too, are a few of my favorite things. I have all of them in my music library. What a coinkydinky! Nice “meeting” you BlueNeck š
Nice “meeting” you, too! I’ve always found my best friends among those who enjoy a wide range of great musics. š
Have you ever listened to Katie Webster? I think she is deserved a lot more recognition than she ever got (she died in ’99). In concert, the love she had for the music just blazed out — she wouldn’t stop until she was completely exhausted.
I hadn’t heard of her. I will take a listen to her work. Thanks AndiF!
We have the Scorcese PBS Blues Series on CD. Jeff Beck’s guitar makes me want to believe in heaven. š
I’m not familiar with this PBS series — was it a documentary he did?
I’m bigger on blues piano and harmonica than guitar but one of my favorite older “new” blues groups, The Blues Project, had some great guitar work and my other great love the Butterfield Blues Band also had some stellar guitar players (Mike Bloomfield, Elvin Bishop).
Very diverse. He nails so many sides.
http://www.pbs.org/theblues/
http://www.scorsesefilms.com/blues.htm
I enjoy the blues a lot too, I just don’t know as much about the blues; I discovered them via Eric Clapton in high school – LOL. Maybe we can find someone to do an intro to the blues one week? (hint, hint)
hmmm, dada would be a great choice for that, he even does a radio gig on Sat. nights twice a month, Blues.
I love the Blues, and used to have quite a collection (ex has them now, and I did’nt even get visitation rights..(&#%%^@%$*#)
maybe we could twist his cyber arm ; )
check out “Keb-Mo” some great blues and incredible player.
strange as it may seem, you need to find a good cut from Austin City Limits on John Mayer, that kid is incredible, mostly in the rock genre for popularity, but off the chart stuff is kick ass…blues/jazz..that guy is quick
I am currently in thrall to Shirley Horn and Karrin Allyson but my heart will always belong to Bill Evans.
I have a present for you:
š
One of my husband’s fellow teachers and friend just deserted him for Tucson and he was wanting to give her and her family a dinner out at a “uniquely Tucson” restaurant. (They have two kids in the 4th and 6th grades so it might be nice if the restaurant had food for the “eww ick” crowd but it’s not required).
Any suggestions you have would be greatly appreciated.
For some southwest flavor, I recommend Guadalajara Grill, it’s just off the Prince and Campbell intersection, they have table-side salsa that is the best; Plus live mariachi or trio music during the evenings. It’s standard Mexican food with some options for the kids. They will love the horchata, I highly recommend it.
Of course, there’s always Eegee’s for a lunchtime sub and frozen slushie goodness. Hope that helps.
The Corral still there? How about Pinacle Peak? Used to have great ribs and was always fun atmosphere with all the ties hanging from the ceiling. We got my brother in law good there. davinci’s for Italian was always one of my favorites or Westward Look for a gourmet meal but not really for kids…more for romance.
How could I forgot about Pinnacle Peak?!? That’s also a good place for family fun, but be prepared for at least an hour wait. It’s worth it though, the restaurant is situated in the middle of a re-created Old West style town with games and shops.
La Parrilla Suiza is also a good place for Mexican food. It’s a local mini-chain.
Thanks for all the suggestions!
And we’ll definitely let them know about Eegees which I’m guessing might be in some way related to you (it’s amazing how I pick up on these things.
Cleo Lane…fabulous singer of jazz. Her husband is also a jazz musician but I have forgotten his name. Voice like silk.
Grover Washington, Peter White, Cohn, Ella of course.
John Dankworth
Thank you! Isn’t he a flutist?
On the CD’s I own he plays the clarinet and saxophone.
1960 in the attic space of a small house that had been converted into “my room” my first, my space, with a narrow set of steps that was more like a ladder than stairs.
A young boy who was learning more and more on the guitar, and was yearning for something other than hillbilly folk, country western, blue grass, (all of which I still love, in moderation) was staying close to his grandfather’s side, as he explained how we were going to make an antenna for this old Atwater Kent Radio. It had a molded veneer cabinet, rounded on one end. It was a table top model that came from the storage room of my grandparents. It had multiple bands, airplane, ship, shortwave, etc, etc, and it had Tubes,,big ones, little ones, and weighed about 40lbs.
We crawled out onto the roof, and attached a peice of 2×4 at each end of the roof, and strung a copper wire across the ridge of the house, and voila, an antenna.
We strung the wire inside and attached it to the screws on the back, plugged in the cloth power cord, and turned the switch on, the tubes began to glow, from dull to bright, I was a kid look’n into a candy store window.
Turned the dial, and man, I could not beleive my ears, I was listening to Chicago, a place I had only read about in books, and there was some music coming out of that ol’ radio that this ol’ countryboy had never heard.
I found Jazz…Blues…Swing…Big Band…man o man, I was in heaven in that attic room.
My life has never been the same, and from that old radio. My love of music has never ceased to grow. It truly was a gift that would never die, for today, I can still hear those sounds, and see those tubes glow into the wee hours of the morning.
So glad to see all you folks here this evening, and enjoying a celebration of life, for to me, that’s what music is.
Now, let the band play on…..
in 1960 I was travelling across the country with my mother to ca.age 17.
In my younger years that’s all there was, radio, and music was a part of the wonderful world therin.
I was more partial to the soap operas and the drama’s than the music but then as I got older music more, drama and soaps less and then of course there was TV with all the greats.
I can’t discuss the ins and outs of jazz with you all, tho I do love that and blues as well as other music, just don’t have the music discussing gene, I guess.
You all go on tho and I will be checking in for a listen now and then.
Infidel, I am so glad you have those memories!!!!
My grandparents lived in the row house next door to us as I was growing up, but my grandfather only ever wanted to listen to the Phillies games!
“Woke Up this Morning” on Salon.com’s Audio File
(free day pass)
Gary Lucas with Alabama 3
Free download
Miles = Genuis:
BLUES: Reknowned Blues and R&B great Little Milton passed away yesterday in Memphis…
He will be missed.
Peace
sorry to hear about lil’ Milton, it is a loss.
I need to get out of the woods more often, and start reading more news…geeesh, I’ve reclused long enough.
Hey dada, what is play’n on Friday nights on the WGNU station out there?
It would be cool to find a station to link to, and listen while we converse on Friday’s….of course, I will have to be out of the swamp and on a real connection….(crying) I miss my broad band…waaaahhh
To night it’s my bud Bill…check it out…it may play on dial-up as there is a low-fi selection…used to be anyway…comin’ atcha cordless @ KGNU…enjoy
Remember: 1 4 5 that’s all ya need…LOL
Peace brother
hey man, how bout host’n a Blues Night here once in a while???? hmmmmmm, I think it would be Hhhhhoooooootttt bro. (check upthread comment from the Dem man…he’s hint’n ; )
maybe even set a night when your host’n out there on the KGNU, that would be da bomb man…so we could hear ya…and some soul spun Ba-Lues…AhhHoooooo
this dial-up hell is gonna end soon man, it’s got too!!!
hopefully I’ll have the place sold soon, then outta the swamp, and back to broad band.
I’m look’n for a town to set up shop in, think’n bout a bar…no juke, just stereo, and good live tunes, great dogs, and plenty of casual fun.
LMAO…I found years ago in the business, it’s easier to control the crowd if you control the tunes, set the mood, wind’em up, they drink, slow them down, (get lov’n, or sleep’n on their mind) closing time ; )
what money they don’t drop in the juke, comes over the bar ; )
live music, good food, cold stiff drinks,
Control the crowd? Thought police :)?
LOL..well then on a Sat. night, when the place is rock’n, and you have a group of young males, and females, jacked up on booze, testosterone, trying to show who is the most macho, establishing a turf, pecking order, Alpha Male, etc, etc, all those stupid things young men do, and on BOOZE….I’ll take crowd control anytime.
I’ve owned a few clubs in my life, and beleive me, when it breaks loose, you want control, and immediately. The funny thing is, sometimes you never see it com’n…they just come in look’n for it, and you need to deal with it quickly, quietly, and very discretely, it will kill your business if you don’t.
I believe you. I live in a Canadian border city where the drinking age in 19, as opposed to 21 in the states. My brother and all his buddies, and now many of my students (high schoolers w/fake id or on the 5 year plan) come over to party.
My husband and I never go downtown at night from Thursday to Saturday. Too many cars, sometimes driving the wrong way, too many fights, and lawd knows I don’t want to see any former students.
To me a “juke” is a live band…typically a duo or trio, w/ minimal equipment and amplification. Having played a few “juke joints” in my time, as well as having been in way more than I care to mention…I get your point. It was always part of our/my gig to keep things under control…not that there weren’t times that we had to bail out, mind you, but overall it was a good time had by all. Old school I guess. esp. given the proclivity of youngin’s to show up “strapped” these days…<shakes head>
Peace
Aahhh sybil, forgetten SRV & the T-Birds would be like forgett’n to breathe ; )
I am fairly ignorant about jazz, but I am indulging in the music of my youth tonight. I am downloading a bunch of music for my MP3 player for the big trip to China.
Lots of Bowie. the Smiths, etc.
Glad to see you did it. I play no instruments but would like to read a couple of poems by Gwendolyn Brooks:
We real cool. We
Left school. We
Lurk late. We
Strike straight. We
Sing sin. We
Thin gin. We
Jazz June. We
Die soon.
Big Bessie’s feet hurt like nobody’s business,
but she stands – bigly – under the unruly
scrutiny, stands in the wild weed.
In the wild weed
she is a citizen.
your words are your music, your heart the instument, let it flow ; )
like it a lot. I feel as though I’ve been very fortunate music wise. My father was a jazz drummer who introduced me, literally, to tons of jazz greats. My dad’s cousin played regularly with Count Basie and recorded albums on his own. The Monterey Jazz Festival and Playboy Jazz Fest are traditions in my family.
It was the music of my father which is why I naturally gravitate to it, but it was the music of my father which is why I can’t say I LOVE it as much as music I discovered on my own. (Still a rebel after all these years.)
That said, John Coletrane’s A Love Supreme is an album that does it for me everytime. In my early twenties I would spend hours flipping it back and forth from one side to the other. Then I went through the Dexter Gordon thing. Right now, I’m listening to Charles Mingus “Ah Um”. Boy, do I love that album.
Thanks for this.
oops, Coltrane. I should know that since I named my cat after him.
I’ll try to make this short as possible — though that’s hard for an old-timer to do.
I really came into it backwards.
I’d been playing clarinet in school bands for years. I enjoyed playing, but didn’t much like the music for its own sake. It was the mid-late seventies, and I was only interested in instrumentals-oriented rock. I took up alto sax to play in the high school jazz ensemble, not because I actually listened to or cared about jazz, but because it seemed, well, a little closer in some way to being cool than what I had been playing. My sax/clarinet teacher lent me Charlie Parker records; they sounded alien.
Went to college, where there was an inspiring sax teacher, a magnificent tenor man out of the old school. I got more excited about the idea of playing jazz — but I still wasn’t excited when I heard it. It just sounded strange.
That year my mom — who was not a jazz fan, but who knew the names — went shopping in a record store for my Christmas present. She plucked out an album of a Norman Granz jam session with Charlie Parker, Benny Carter, Johnny Hodges … oh, and there were some other people who didn’t play alto sax. “That looks right,” she thought.
And when I heard Johnny Hodges… when I heard Johnny Hodges… Oh, my my.
The subtle curls in almost every note. The inching — no, millimetering — up to a climactic note, then dashing away from it once it had been so achingly approached. The whispering, coaxing, insinuating, unexpectedly punctuated with sassy blasts. It was at once visceral and intelligent, now passionate, now wry, and throughout, unbelievably sensuous. Now I was hooked.
Here was somebody who could play four quarter notes, on the same pitch, at a slow tempo, and propel my body, physically, more than any power-guitar group ever had.
In time I went on to get inside Parker’s music, Monk’s, Davis’s, Coltrane’s, Dolphy’s, etc. Hodges drew me in, and there has never been anyone who could match him at what he did.
And what he did was extraordinary.
(Thanks for starting this, Dem. May it prosper!)
I will now check out Johnny Hodges, or should I say pay more attention to him because I’m sure I’ve listened to him without knowing who I was hearing.
I love music threads because of who you might find,
Thanks again.
One way you might have heard of him: Coltrane, as a young man, played second tenor in Hodges’ band during one of the periods when Hodges struck out on his own (from his chair in the Ellington orchestra, which he held for decades and which was alway open for him after he’d left).
Coltrane always spoke admiringly of him, and I’m sure learned a lot from him. Though it’s not the first thing people think of in connection with Coltrane, he was a ballad MASTER. Coltrane’s ears were so enormous… there’s no doubt he learned a lot about timing and touch and space — the keys to ballad playing — from Hodges, who was a specialist at those things.
Isn’t it great the way these things connect?
Glad to have boosted you to check out J.H. — I’m sure you’ll enjoy him!
“It was at once visceral and intelligent, now passionate, now wry, and throughout, unbelievably sensuous.”
You nailed it!
I stumbled onto jazz from a few sources.
What turned me into a die-hard jazzer was simply this: I got bored of much of what passed for rock by the mid-point of the 1990s, and I’m one of those cats that has to be digging something new.
I LOVE JAZZ!!
sex music. period!
“Tryin to make it real, compared to what”
That’s the one, all right.
I like Joe Williams….. I like Coltrane….. I like everything…. but most of all Eddie Harris and Les McCann….
I have a Les McCann CD recorded in 1967 called “How’s Your Mother?” which has cover art of a photo of McCann with Hubert Humphrey. Does anyone know the story behind that?
took some googling, though…
From the liner notes on the original vinyl album:
” […] Recently Les and the trio performed at a function in Washington whose star was the ever-friendly Vice President. At one point Les was standing beside Mr. Humphrey when, in a beat of silence, a young voice could be heard saying, `Who’s that standing next to Les McCann?’ The laughter sounded […] and now there is one more place where Les McCann is a personal legend. “
Compared to What
Another night a night of love
A hangin’ on me push an’ shove
Posession is the motivation
That is hangin’ up the goddamn nation
Looks like we always end up in a rut
Everybody now
Tryin’ to make it real, compared to what
Come on baby, now
Slaughter houses are killin’ hogs
Twisted children are killin’ frogs
Poor dumb rednecks rollin’ logs
Tired old lady, kissin’ dogs
I hate the human love of that stinkin’ mutt
I can’t use it
Tryin’ to make it real, compared to what
Come on baby, now
The President, he’s got his war
Folks don’t know just what it’s for
Nobody gives us rhyme or reason
Have (a) one doubt, they call it treason
We chicken feathers all without one nut
Goddamn it!
Tryin’ to make it real, compared to what
Sock it to me
Church on Sunday, sleep and nod
Trying to duck the wrath of God
Preachers fillin’ us with fright
They all trying to teach us with what they think is right
They really got to be some kind of nut
I can’t use it
Tryin’ to make it real, compared to what
Lover, baby, hey
Where’s that bee and where’s that honey
Where’s my god and where’s my money
Unreal values, a crass distortion
Unwed mothers need abortion
Kinda brings to mind ol’ young King Tut
He did it now
Tryin’ to make it real, compared to what
(massive instrumental)
from Swiss Movement, Les McCann and Eddie Harris