Allow me a chance to thank Arthur Gilroy and Knoxville Progressive for their insights into some powerful music and also to pimp my blog. See, every once in a while I feature some artist whom I really dig on. See a few of them on the flipside:
- Arthur Doyle here and here
- Franklin Kiermyer
- Steve Reid (a former Detroit-area drummer who now records and gigs in Europe)
- Henry Grimes
- Marion Brown
- Matthew Shipp
- Pharoah Sanders
- Milford Graves
- Alice Coltrane
- Grachan Moncur III
- Steve Williamson
- Alan Shorter
- Don Cherry
- The Oneness of Juju
- Maulawi Nururdin
- Clifford Thornton
- Sam Rivers
- Faruq Z. Bey
And that’s essentially a sampler. I also post playlists to my radio show that I do each Friday night during the fall and spring semesters where I provide the only jazz on the local airwaves (with a few other choice cuts from hip-hop and electronic music that strike me as having some lasting value). Basically, I dig that same positive vibe that Arthur and Knoxville Progressive are digging. At its core, jazz is a progressive music. And although I’m no musician and have no formal training in musical theory or any of that, I feel comfortable using whatever verbal skills I have at my disposal to describe what I like to whomever is willing read or listen.
If the spirit moves you, check out some of my jazz offerings at my blog; and always keep in mind that beauty is in the “ear of the behearer” (to nick an album title of Dewey Redman’s).
Peace and love, y’all!
Good morning; what a pleasant surprise on a Monday, when I was expecting to get back to “political crimes, as usual”! Thanks for the diary and especially for the links. Also, thanks for stopping by on Fridays; always glad to see you.
P.S. – you forgot the tip jar!
no keith jarret?
harumph
lately i am listening to 50 cent, the gorillaz, and edith piaf
Nice list! I’ll have to check out your blog.
Jazz has long provided a nice intersection with progressive/oppositional politics.
Two contemporaries worth mentioning: Asian-american pianist Jon Jang (some interesting collaborations with Amiri Baraka) and the Vietnam vet violinist Billy Bang’s Vietnam project.
I often return to a piece I first heardd Nov 2, 1980, when my youthful idealism shattered with the realization that my country was about to elect an actor & an ex-CIA chief to the White House:
“Mendacity” by Max Roach, vocals by Abbey Lincoln, on the Impulse recording, “Percussion Bittersweet.”
Great “nom de blog” – are you an astronomer?
Astronomer? Nanh. Sometime poet, big-time jazz freak, oppositional out-rider. I once did a little letterpress printing under this name. It appears regularly in western poetry, from Hesiod to Zukofsky.
Took a peek around your blog last night & did indeed appreciate your musical writings.