The third season of Deadwood ended last night with George Hearst triumphant. If you haven’t seen the episode yet, this is a spoiler alert. If you don’t watch Deadwood you are missing the best thing ever put on a television screen. Watching this season I could never put it far from my mind that George Hearst represented a kind of frontier attitude that is best represented today in the person of our Vice-President, Dick Cheney.
George Heast was the father of William Randolph Hearst. He was a 19th-Century mining legend. He had already made a fortune when, in 1875, gold was discovered in the Black Hills. The show Deadwood is based on real characters that lived in Deadwood in the Dakota Territories (later South Dakota) during the 1870’s. But it is not strictly historical. To see some of the differences between the show and the real history you can go here.
According to the show, George Hearst first sent an advance agent to Deadwood. That agent, Francis Wolcott, caused a false panic by paying people to spread the rumor that people’s mining claims would not be respected. Because Deadwood was located on land “ceded” to the Sioux by treaty, none of the claims were strictly legal. This gave Wolcott’s rumor credibility and he was able to buy up all the mining claims, save one, at a pittance of their value. The lone holdout was a woman named Alma Garrett (later Alma Ellsworth).
This season George Hearst arrived in town to personally negotiate for Mrs. Ellsworth’s claim. He eventually succeeded in forcing Mrs. Ellsworth to sell through sheer intimidation. He hired 50 gunmen to come to town. He littered the camp with dead miners (both to break any unionization and to send a message). He had one of his men shoot at Mrs. Ellsworth, intentionally missing. Finally, he had her husband killed. Having secured the final claim and also rigging the first Dakota elections, he left for Montana.
The real George Hearst would go on to win the San Francisco Examiner as a gambling debt and bequeath it to his son, William Randolph.
Heir to a vast mining fortune, at the age of twenty-four Hearst acquired and developed a series of influential newspapers, starting with the San Francisco Examiner in 1887, forging them into a national brand. His New York City paper, the New York Morning Journal, became known for sensationalist writing and for its agitation in favor of the Spanish-American War, and the term yellow journalism (a pejorative reference to scandal-mongering, sensationalism, jingoism and similar practices) was derived from the Journal’s color comic strip, “The Yellow Kid.”
Deadwood paints a Hobbesian portrait of life on the frontier. The press is corrupted, elections are stolen, the sheriff has little power to enforce order, murders go uninvestigated and unpunished. The power brokers are saloon owning pimps. Christianity is hardly known and barely practiced. It mainly serves as a solace for those in mourning. To survive, each individual must find protection and do the bidding of their masters. Stepping out of line is a good way to get your throat slit and be fed to the pigs.
This is the kind of world where a Dick Cheney excels. This is the type of atmosphere where his morality can actually be a virtue.
In 1880, George acquired the small San Francisco Examiner as repayment for a gambling debt. Though he had little interest in the publishing business, he kept it because he felt the Democratic Party needed a friendly newspaper in San Francisco.
Nothing like a freindly newspaper for your political party. The GOP has the whole Murdoch Empire as well as the Moonie Times. Nothing much has changed on the resource extraction front, either. Much like Hearst, Dick Cheney launched a campaign of fear and intimidation in a bold move to take Iraq’s oil away from French, Russian, and Chinese concessions. And he relied on a bought and sold press, just as William McKinley relied on Hearst’s son to whip up support for the Spanish-American War after the USS Maine blew up.
There are no heroes on the show Deadwood. There are some characters that are somewhat sympathetic. Sol Star is a well-meaning Jewish hardware store owner. Charlie Utter is a man with some moral compass. The Russian telegraph operator is a nice man. But no one escapes corruption and no one can stand aloof. And in the big bad world, then as now, the people with real power have few morals and no compunction whatsover about killing anyone that stands between them and their designs on grand wealth.
also in orange.
It wasn’t that long ago that newspapers were owned and operated by various organizations, such as labor unions. This included papers that were affiliated with various political parties. The affiliation was printed right on the masthead, however, so you knew whose spin you were getting.
I think I prefer the old system to the new; at least you knew who was doing the bullshitting — which meant you could figure out why they were doing the bullshitting.
And that is not even taking into account the political positions of the Graham family, the Sulzbergers, or Fred Hiatt and Bill Keller.
Best show on TV this season. I’m in withdrawal already. Can’t wait for the DVDs.
The show is addictive, and yes, very American in its “might makes right” oriented. The one point that does not fit, however, is why with so little law and order and so little protection for anyone just walking around, why doesn’t Hearst get killed by his enemies? Tricksy shot Hearst superficially, but why didn’t see do it right?? Her life was then worth crap, which she seemed to understand, so what did she lose by doing the job right and killing Hearst? That part just does not make sense as it elevates Hearst to an almost superhuman, immortal status in an otherwise easy mark environment!
Deadwood or Rome? Both deal with that cleave between the need for civil order vs. the designs of the wealthy and powerful. Both are well acted, well written, have ornate and beautiful set designs, and both strive not just as popular entertainment but for art as well.
Though I wasn’t as impressed by the third season of Deadwood as I was by the first and second. It seemed tired. Or, perhaps, it’s just an altogether depressing ending for the show.
There’s another side of William Randolph Hearst that is rarely mentioned but definitely important.
From here:
Or more simply – racist sensationalist stories about the danger of drugs that mostly minorities consumed SOLD papers as well as helped to criminalize hemp (the non-narcotic part of the plant) at a time when Hearst owned a lot of timber.
Hearst was also openly pro-Nazi along the lines of Henry Ford and Charles Lindbergh.
Meanwhile things haven’t gotten much more enlightened in the last 80 years. Here’s a snippet from the Ask the White House segment (definitely worth reading) from 2004:
Yes, the children. Well at least that’s a better lie than saying it’ll turn the Mexicans and “Negroes” into homicidal maniacs.
Pax
Thanks for posting this, Booman. Very small, tiny comment: I can’t think of Deadwood without also missing Susan.
Deadwood was a characteristic of more of our history that we care to remember, and it’s there, wanting to push out again. And that force has been on the rise. I am glad they didn’t tie it all up in a neat package – no “world waiting for the sunrise” ending, at least not yet.
Nice piece, Boo.
We don’t get HBO, so I’m always a year behind on Deadwood, Sopranos, Six Feet Under, etc.
So Ellsworth gets killed, huh? He was too nice a guy, I guess – though tough.
I told my college-aged kids – “If you want to understand America, just watch Deadwood.”
I was sort of kidding, but not really. It’s all there to see.
Like the fellow noted in the post upthread, talking about Deadwood reminds me of how much I miss SusanHu.