It’s four and the morning and a coughing spell woke me up. I clicked on Atrios only to learn this:
Kurt Vonnegut, whose dark comic talent and urgent moral vision in novels like “Slaughterhouse-Five,” “Cat’s Cradle” and “God Bless You, Mr. Rosewater” caught the temper of his times and the imagination of a generation, died Wednesday night in Manhattan. He was 84 and had homes in Manhattan and in Sagaponack on Long Island.
His death was reported by Morgan Entrekin, a longtime family friend, who said Mr. Vonnegut suffered brain injuries as a result of a fall several weeks ago.
I’d like to think this is all a bad joke, like the mistaken reports of Mark Twain’s death, but I suppose we won’t be that fortunate. The most significant American writer since Twain, he is now gone, and we will be the lesser for losing him.
I don’t know what you think of Vonnegut, and I sure as hell don’t care what literary critics might conclude about his body of work, but I consider him the most original American writer of the last 50 years, and the one with the most searing moral vision. Despite being damned with faint praise as a “cult figure” he was in my view America’s greatest living writer until his death last night. His work consistently grappled with universal themes and addressed the great issues of his times, despite being denigrated as a pornographic mixture of science fiction and black comedy.
He was also a veteran of World War II, and as an American POW of Nazi Germany in 1945, he lived through the hell of the firebombing of Dresden, and the further hell of it’s aftermath. That event would go on to form the basis for Slaughterhouse Five; or, The Children’s Crusade. A semi-autobiographical novel, written in his singular clipped and unpretentious prose style, it would bring him popular acclaim and propel him to cult status when it was first published in 1969 during the height of the Vietnam War.
An atheist, his books were nonetheless filled with discussions of war, poverty and injustice that reflected his progressive beliefs. Some might say he was a pessimist, even a nihilist, but they would be wrong. What he was was a modern day version of the prophet Jeremiah ranting at the America which he loved, but whose failures he did not deny or overlook. Failures he constantly decried in his books, failures of vision, compassion, justice and the everyday betrayal of our highest ideals in the service of our collective greed and lust for power as a nation. He was the antithesis of everything for which George W. Bush stands. We did not deserve him.
Please forgive me Kurt, but God bless you Mr. Vonnegut, and thank you for your service to your country.
My favorites were Mother Night (I still need to see the movie) and Cat’s Cradle.
I’m from the wrong generation for Vonnegut. I’ve read more than half of his stuff…one of my older brothers always had his paperbacks lying around and I picked them up and consumed them in a day. Pleasant days, but not very memorable.
Cat’s Cradle was memorable for it’s strange vision, cool idea (ice-nine), and neologisms. Mother Night was memorable for its intrigue. The rest of it? I forgot it as soon as I’d read it. Like a dime-store novel.
But I know he really spoke for a lot of people. He just wasn’t my kind of writer. I’m sad to learn of his passing. As he would have said: ‘When you’re dead, you’re dead.’
saw this earlier and was surprised as I was just thinking about Vonnegut’s writings over at Manny’s WWW diary.
I agree with your sentiment regarding him as one of the literary geniuses of the past 60 years, and his last book, A Man Without A Country, a collection of essays, is darkly pessimistic and pointedly angry about what’s happened and is happening in this country.
This is, to my knowledge, the last published interview / conversation from february 2006:
Kurt Vonnegut: A Requiem for the USA
‘All the other species are dying and so will we. I’m whistling as I walk past the graveyard… whistling as beautifully as I can
…highly recommended.
And closing with the last lines from his final book:
a fitting epitaph
RIP
My lit class is starting to read the last novel of the semester, Cat’s Cradle.
We started with Huck Finn, focusing on its bleak hilarity. A lot of my students had read it in high school, but soon realized they hadn’t really read it before.
They decided Vonnegut would be the perfect bookend for the semester.
I think they’re right.
I love Kurt Vonnegut. He will never be dead to me.
Vonnegut was an early favorite of mine and I once stood outdoors in near zero weather while running a fever to get into one of his lectures. I’m still very glad I did. Goodbye to a wonderful human being.
Hello…Goodbye…Hello
A great loss indeed.
Dammit Kurt, why have you gone and done this to us? The world will be a little less enlightened starting today. Here is why I loved Kurt Vonnegut. Read it all here
Kurt Vonnegut. A rabblerouser, a visionary, dare I say a genius.
Thank you Kurt.
I have to add my sadness to all the others here, I loved Kurt Vonnegut and talked, rec’d and quoted him often these many years, his writings are wonderful and do stand the test of time. Slaughterhouse 5 is my favorite.
I think I’m going to cry. Vonnegut was a profound influence on me. My very first net incarnation was Tralfamador from The Sirens of Titan. I still have all my ratty paperback Vonnegut books from when I was a teen and devoured everything the man wrote. Mother Night, Player Piano, Welcome to the Monkeyhouse, Cat’s Cradle, Galapagos, and my treasured first edition of Slaughterhouse Five. I still reread them. Heck, I even have several copies of Venus on the Half-Shell by Kilgore Trout, which book totally pissed off Vonnegut.
May he rest in peace and be remembered generations from now.
I guess he’s no longer America’s most important novelist. Now he’ll have to compete with the likes of Mark Twain and Herman Melville. The human chorus will sound a little thinner without his clear voice.
amen, a great writer, with dazzling brevity, a profoundly humanist vision, and the jolly deviance that made you rock with laughter as he poked fun at some of the ghastly aberrations that have afflicted ‘western’ values this last half century.
if he had only written ‘cats’ cradle’ and stopped there, all the above would remain valid.
a hidden buddha, camouflaged as a very, very funny man.
a social critic with very few peers, his ‘knowing when to stop’ with a short phrase, leaving one falling off a verbal precipice into the ensuing space filled with implications, is clearly recognizable as hallmark of his writing, within one paragraph, you know who’s talking, just as two bars of carlos santana…a total one-off, a true original.
thanks kurt, you blew me away with your crazy wisdom, the years i needed it most!
http://www.commondreams.org/headlines06/0205-02.htm
and my favourite:
there’s much more, a great interview.
I can’t tell you how many times I’ve laughed to myself recalling this quote from Breakfast of Champions:
Also from BOC, a memorable quote that perhaps only a Republican would take issue with:
Only an athiest with the keenest sense of irony could say:
“If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC
-K.V.
Godspeed, Mr. Vonnegut.
AF
Malkin and her ilk have grown both fat and crafty suckling at the teat of Rove.